Archive london theatre News Sandra Howell

Young Frankenstein  "silly, witty, fun and clever"

Features

Young Frankenstein "silly, witty, fun and clever"

Do you like Vaudeville? Do you like all-round entertainment; singing, dancing and comedy routines...

25 Jul, 2018 | By Sandra Howell

Mood Music "intelligently and cleverly structured"

Features

Mood Music "intelligently and cleverly structured"

Mood Music has a “ripped from the headlines” appeal, particularly in the searing light of the #me...

8 Jun, 2018 | By Sandra Howell

Dreamgirls: a compelling story of triumph

Features

Dreamgirls: a compelling story of triumph

Is Dreamgirls an archetype of bestselling female pop groups from as far back as the mid-20th cent...

28 Mar, 2018 | By Sandra Howell

The Ferryman

Features

The Ferryman

The Ferryman is as much about family dynamics as it is about The Troubles. The Carneys are an int...

21 Feb, 2018 | By Sandra Howell

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Features

Long Day’s Journey Into Night: Lesley Manville is a triumph

Writers, especially new writers, are often told write what you know, which must have been  Eugene...

14 Feb, 2018 | By Sandra Howell

Mary Stuart "like a contemporary political psychological thriller"

Features

Mary Stuart "like a contemporary political psychological thriller"

Mary Stuart is an imaginative interpretation of her and Queen Elizabeth 1’s lives using a strippe...

7 Feb, 2018 | By Sandra Howell

Girl from the North Country

Features

Girl from the North Country

Girl from the North Country, a cleverly crafted musical, presents us with multi-layered interrela...

26 Jan, 2018 | By Sandra Howell

42nd Street

Features

42nd Street

I am still humming, singing and grinning after watching an epic performance of 42nd Street at The...

17 Jan, 2018 | By Sandra Howell

The Woman in White: expertly performed by a talented cast

Features / Casting

The Woman in White: expertly performed by a talented cast

Andrew Lloyd Webber fans will not be disappointed by his musical interpretation of The Woman in W...

3 Jan, 2018 | By Sandra Howell