2:22 A Ghost Story Tickets
Stacey Dooley, James Buckley, Joe McFadden and Donna Air star in haunted hit!This production is recommended for ages 12+
Performance dates
18 June - 4 August 2024
Run time: 2hrs (inc. interval)
Includes interval
- Show info
- Accessibility
- Reviews
2:22 A Ghost Story London Tickets
Following five record-breaking seasons in the West End and a sold-out UK tour, the clock strikes 2:22 at the Gielgud Theatre this Summer. Starring Stacey Dooley, James Buckley, Joe McFadden and Donna Air, don’t miss your chance to see this award-winning ghost story. Book your official tickets today!
What is 2:22 A Ghost Story about?
Intriguing, funny and scary, 2:22 A Ghost Story takes you into an adrenaline-filled night where you are not sure whether secrets or ghosts will come out next. What do you believe? And do you dare discover the truth?
Jenny is certain that her new home is haunted, she hears it every night at the same time, but her husband Sam won’t even entertain the idea. Their argument extends to their first dinner guests, old friend Lauren and her new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer, so they’re going to stay up… until 2:22… and then they’ll know.
Facts and critical acclaim
- Winner of three WhatsOnStage awards, including Best New Play, and recipient of three Olivier Award nominations, including Best New Play.
- ‘A sensational event’ - Evening Standard, ‘A slick, chilling, romp of a play’ – The Guardian, ‘A cracking supernatural thriller’ – Time Out, ‘A supernatural spinechiller’ – Daily Mail, ‘A fantastic piece of writing. Begs to be seen again’ Broadway World.
Please bear in mind
The production is recommended for ages 12+, and the producers cannot guarantee the appearance of a particular artist at any performance.
2:22 A Ghost Story cast
- Jenny: Stacey Dooley
- Sam: Joe McFadden
- Lauren: Donna Air
- Ben: James Buckley
2:22 A Ghost Story creatives
- Book: Danny Robins
- Director: Mathew Dunster
- Set Designer: Anna Fleischle
- Costume Designer: Cindy Lin
- Lighting Designer: Lucy Carter
- Sound Designer: Ian Dickinson
- Illusions: Chris Fisher
Content
This production contains the use of flashing/strobe effect lights, haze and loud noises. There are short blackouts throughout the performance.Special notes
The producers cannot guarantee the appearance of a particular artist at any performance. Appearance could be subject to many factors including illness and holidays. No refunds or exchanges will be offered as a result of a cast member’s unavailability at any performance.
Access
Audio Described Performance: 10 July 2024 at 7.30pm , Captioned Performance: 21 July at 2pmRecent Reviews
Good show to watch with family
Great cast, great story, great suspense and great humour.
Excellent play. All 4 actors were brilliant and the whole story was superb. It was funny, dramatic and literally had you on the edge of your seats. It was fantastic to see the theatre full and the audience’ s reactions were some of the best I’ve ever experienced. 100% recommended and a great evening out ??
Me and my 12 11 and 9 year old kids all really enjoyed it. They are pretty well read and the adult language was something we just had to understand as a part of the art. The cast was terrific. The theater and its staff super pleasant. Cheers.
Overall we enjoyed the play - it made me jump in places which was fun. Good set which was well used. However, the reason I only gave it 3 stars - was because Stacy Dolley wasn’t great. She spoke quietly and it was difficult to hear what she was saying ++ she wasn’t a great actress
Was so good
Thoroughly enjoyable with a twist
Loved it! Such a good play, book it now!
Good plot, makes you jump, really good ending but “we won’t tell!”.
AMAZING SHOW! Definitely worth it.
First time at this theatre, loved the location and ambiance of the theatre. Show was really good and well produced. Great cast would highly recommend to all.
The staging looked good but sadly the acoustics of the theatre, even from row M in the stalls, were such that I was completely unable to follow the plot.
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